20世纪中国赋体文学研究之进程述论

20世纪中国赋体文学的研究进程可以划分为继承与突破期(世纪初至建国)、徘徊与探索期(建国后到新时期)和开拓与繁盛期(新时期以后至世纪末)三个阶段。总体来看,继承与突破期的赋体文学研究的特点为:研究范围较大,视点较多,对于赋体文学的产生、功用、分类、性质、发展、归属等问题多有探讨,既继承前人的部分观点,又有明显的突破。徘徊与探索期的研究处于徘徊探索阶段,对于汉大赋的评价仅仅着眼于形式主义,而忽略了其审美价值;对于抒情小赋则予以重视。另外,关于赋体的文体特征及与其他文体的关系也曾引起学者的关注。开拓与繁盛期的研究方法多样,既有对赋体创作本身的研究,如功能、审美艺术、发展演变、与其他文体的关系等,又有对赋体理论的总结。对于唐代以后赋体的重视,也是该时期研究的一个突出特点。

The Process Research on the Chinese Fu Literature in the 20th Century

In the 20th century,the process of research on the Chinese Fu literature was divided into three stages： inheriting and breakthrough period（from the initial to the founding）,wandering and exploring period（from the founding to the new era）and pioneering and flourishing period （from the new era to the end of the century）. Overall,the features of the Fu literature study in the first stage were larger research scope and more viewpoints. The scholars discussed many problems such as the production, functions, classifications, properties, development and affiliation of Fu literature. They inherited part of the former;s views and got an obvious breakthrough. The second stage was in the period of wandering and exploring stage. Some scholars evaluated that Han Big Fu just concentrated on formalism, while neglected their aesthetic value and paid more attention to the lyrical small Fu. In addition,they focused on the stylistic features of Fu and the relationships between Fu and other genres. In the third stage,the researchers usually had various methods and devoted themselves to the study of both Fu creation itself such as functions, aesthetic art, development,the relationships with other genres,and the summary of Fu theory. The prominent character of the research in this stage was that the importance was attached to the Fu after Tang Dynasty.