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从节奏和押韵看戏曲唱词的语言特点
引用本文:赵安民. 从节奏和押韵看戏曲唱词的语言特点[J]. 商丘职业技术学院学报, 2004, 3(4): 39-40
作者姓名:赵安民
作者单位:商丘师范学院,河南,商丘,476000
摘    要:戏曲唱词是一种特殊的韵文形式,它除了具备一般韵文的主要特点外,它在节奏、韵脚等方面还有着自己的规律。在语句字数上,除了常用的五字句、七字句外,六字句、八字句、九字句、十字句等也常入戏;在顿歇格式上,它突破了“三字尾”的局限,常以“四字尾”结句;在韵脚上,它用韵宽泛、灵活,经常在同一唱段中跨辙转韵。

关 键 词:戏曲 唱词 语言 节奏 押韵 韵文
文章编号:1671-8127(2004)04-0039-02
修稿时间:2004-01-18

A Study of the Language Features of Chinese Opera Librettos in Respects of Rhythms and Rhymes
ZHAO An-min. A Study of the Language Features of Chinese Opera Librettos in Respects of Rhythms and Rhymes[J]. Journal of Shangqiu Vocational and Technical College Journal of Shangqiu Vocational and Technical College Journal of Shangqiu Vocational and Technical College, 2004, 3(4): 39-40
Authors:ZHAO An-min
Abstract:Chinese Opera Librettos is a special form of verses.Besides the features of common verses,it has its own rules in rhythms and rhythms.In addition of the five-character and seven-character sentences,there are also six-character,eigft-character,nine-character and ten-character sentences in the Chinese opera librettos.In rhythms,it breaks the limit of "three-character ending,"and is often ended in "foue characters sentence." It is lenient and flexible in rhymes,and very often it may change the rhymes in the middle of an aria.
Keywords:Chinese opera  librettos  verse  rhythm  rhyme  pause
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