| 创造性思维: 从文学母本到歌剧剧本 |
| |
| 引用本文： | 阎笑雨.创造性思维: 从文学母本到歌剧剧本[J].华南师范大学学报(社会科学版),2004,2(2):127-132. |
| |
| 作者姓名： | 阎笑雨 |
| |
| 作者单位： | 星海音乐学院音乐学系,广东,广州,510500 |
| |
| 摘 要： | 由学原作改编的歌剧剧本有其特征：歌剧与学结合的内在依据、歌剧剧本的结构原则、歌剧剧本写作对学原作的删减与增添。
|
| 关 键 词： | 文学作品 歌剧剧本 创造性思维 |
| 文章编号： | 1000-5455(2004)02-0127-06 |
| 修稿时间： | 2003年12月18 |
The Creative Thinking in Opera Composition |
| |
| by YAN Xiao-yu.The Creative Thinking in Opera Composition[J].Journal of South China Normal University(Social Science Edition),2004,2(2):127-132. |
| |
| Authors: | by YAN Xiao-yu |
| |
| Institution: | by YAN Xiao-yu |
| |
| Abstract: | This paper discusses the creative adaptation from literary works into opera in respect of the internal basis of the opera's connection with literature, the principle to arrange the structure of opera and deletion or addition to the original. |
| |
| Keywords: | literature opera composition creative thinking |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
| 点击此处可从《华南师范大学学报(社会科学版)》浏览原始摘要信息 |
