《饮冰室诗话》之"以旧风格含新意境"刍议

梁启超的《饮冰室诗话》作为“诗界革命”的理论总结,在中国古典诗歌解体和现代新诗产生的近代化过程中有着重要地位和独特价值。《饮冰室诗话》提出的“以旧风格含新意境”思想是由《夏威夷游记》倡导的新意境、新语句、古风格兼长的“三长说”主张发展而来,对“诗界革命”的后期创作产生了积极的影响。学界对其重要意义尚未充分认识,文章联系“诗界革命”的历史进程,对“新意境”和“旧风格”的内涵以及二者的辩证关系进行了具体探析,以揭示这一重要诗学思想的独特价值。

The Preliminary Study on Poetry Notes in the Ice Bar -"New Artistic Conception in the Former Style"

Liang Qichao's Poetry Notes in the Ice Bar , as the theoretical summary of the poetry revolution, plays an important role and has the unique value in the process of the disintegration of the classic poetry and the emergence of the contemporary poetry. The idea of "New Artistic Conception in the Former Style", which was put forward in Poetry Notes in the Ice Bar, comes from the idea of "SAN CHANG SHUO: new artistic conception, new sentences and classic style", which was initiated in The Hawaii Travel. The new notion exerted great influence on the later poetry revolution. Unfortunately its significance has not been noticed in academic circles. The article aims at casting a light on the dialectical relation of "new artistic conception" and "new style" as well as their connotations, with the hope to reveal the unique value in the important idea on poetry.