谈乾嘉之际诗歌的发展——兼述《梧门诗话》

乾嘉之际为清代诗歌发展的转折时期。祖唐祧宋的诗界门户之争终于告一段落 ,各行其是的自由诗风日渐形成。诗歌创作的中心由台阁而向下转移 ,打破了绵延清代中前期的诗歌台阁化局面。作为当时重要诗人之一的法式善在其《梧门诗话》中记录了当时诗坛变化的一些迹象 ,为我们提供了研究这一时期诗歌发展趋势的重要资料

A DISCUSSION ABOUT THE POETRY DEVELOPMENT DURING THE PERIOD BETWEENEMPERORS QIANLONG AND JIAJING

The period between Emperors Qianlong and Jiajing saw a turn in the course of the poetry development. The sectarian contention in the circle of poets about either to carry forward the poetic tradition of the Tang dynasty or that of the Song had eventually come to a close. In time the practice of writing poems as one chose to came into being. The centre of poetic creation was transferring from senior officals down to junior officals and civilian poets, thus breaking the monoply of poetry writing by senior officials that had lasted throughout the early and middle periods of the Qing dynasty. FASHISHAN, one of the important poets of the time, recorded in his Wumen Poetry Talks some of the changes in the world of poetry which supply us with an important source for the study of the trend of poetry development. of that period.