传神写照与《文心雕龙》的风骨--兼论《隐秀》篇的传神写照式解读

传神写照是魏晋六朝时期中国美学思想的一个重大命题,而《文心雕龙》却未予以征引,似乎未受其影响。然而,细细考察《文心雕龙》的有关理论,则与传神写照理论有相通之处。如“风骨”和“隐秀”。“风骨”与词采对举,词采的目的使是要传达出“风骨”来;同样,“词”、“文”、“采”都是为了传达出“志”、“理”、“情”、“神明”,在作用原理上与“传神写照”相同。而“隐秀”也并非两种风格,而是一种类似于“传神”的艺术表现过程,即以“秀”传“隐”,共同为构建优美的意境服务。

"Transmitting the Spirit" and the "Strength of Character" of Wenxindiaolong--On transmitting the spirit of Zmplicit and Bright

Transmitting the spirit" is very important in Wei-Jin Period. But this aesthetic thought had not been cited in Wenxindiaolong .By studying and researching this works carefully, we found that that Wenxindiaolong had been in fluenced by this thought. For instance, Liu Xie advocated that ornate words shou ld convey the "strength of character", which meanrs the spirit of literary wor ks in Wenxindiaolong. At the same time, the "implicit and bright" is also meanin g transmitting the spirit and the ideal is forming the art style as well.