| 中国山水画点景研究 |
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| 引用本文： | 王娟.中国山水画点景研究[J].贵阳师范高等专科学校学报,2011(4):61-63. |
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| 作者姓名： | 王娟 |
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| 作者单位： | 贵阳学院美术系,贵州贵阳550005 |
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| 基金项目： | 贵阳学院院级科研项目[201033] |
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| 摘 要： | 中国山水画的点景虽不是画面的主体，所占的比例也很小，但细心、巧妙经营的点景却能起到画龙点睛、增添趣味和升华意境的功效，所以历代山水画家无不在点景上下功夫。本文主要梳理了各时代的点景类型、特点、变化以及它与时代社会的联系。
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| 关 键 词： | 点景 类型 意义 意境 时代特征 变化 |
Research on Embellishing of Chinese Landscape Painting |
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| WANG Juan.Research on Embellishing of Chinese Landscape Painting[J].Journal of GuiYang Teacher's College(Social Science),2011(4):61-63. |
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| Authors: | WANG Juan |
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| Institution: | WANG Juan (Department of Fine Arts, Guiyang University, Gniyang 550005, China) |
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| Abstract: | The embellishing of Chinese landscape painting is not the main body of a picture, and accounts for the small percentage, however, its careful and subtle practice functions as adding the finishing touch, more interest and sublimation. So the painters in history have made more efforts on it. This paper mainly aims at carding the type, characteristics, change, and socialization of embellishing in different times. |
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| Keywords: | embellishing type meaning artistic conception times change |
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