| 试论和谐理念在琵琶艺术中的作用 |
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| 引用本文： | 解淑红.试论和谐理念在琵琶艺术中的作用[J].德州学院学报,2006,22(5):72-74. |
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| 作者姓名： | 解淑红 |
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| 作者单位： | 德州学院音乐系,山东,德州,253023 |
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| 摘 要： | 文章将音乐艺术境界划分为四个层次,以琵琶艺术为例,具体阐述了和谐理念在琵琶艺术中的灵魂作用,进而提出了和谐理念不仅是琵琶艺术而且是整个艺术门类的灵魂所在,是哲学指导艺术均衡发展的纲领的论断。
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| 关 键 词： | 琵琶 和谐 音乐艺术境界 |
| 文章编号： | 1004-9444（2006）05-0072-03 |
| 收稿时间： | 2006-07-22 |
| 修稿时间： | 2006年7月22日 |
On the Role of Harmonious Concept in the Pipa Art |
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| XIE Shu-hong.On the Role of Harmonious Concept in the Pipa Art[J].Journal of Dezhou University,2006,22(5):72-74. |
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| Authors: | XIE Shu-hong |
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| Institution: | Music Department of Dezhou University, Dezhou Shandong 253023, China |
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| Abstract: | Dividing the artistic realm of the music into four levels,and taking Pipa art as an example,this thesis specifically elaborates the soul role of harmonious concept in Pipa art,and then puts forward that the harmonious concept is the soul not only of the Pipa art,but also of all the fields of art.It is also the authoritative judgment which directs the equilibrium and development of the art on the philosophical level. |
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| Keywords: | Pipa harmony the artistic realm of the music |
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