| 析张炎的清空论 |
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| 引用本文： | 李晓云. 析张炎的清空论[J]. 鄂州大学学报, 2004, 11(2): 52-55 |
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| 作者姓名： | 李晓云 |
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| 作者单位： | 首都师范大学,文学院,北京,100037 |
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| 摘 要： | 清空是张炎词论的核心。清空与质实并不是一个层面上的术语，从基本的层面上看，二者是就语言的锻炼修饰、章法结构、用典使事而言，但清空还有更深的含义，清空是一个较高层次的审美范畴，是一种空灵、蕴藉的审美意境。
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| 关 键 词： | 张炎 清空论 词论 审美意境 |
| 文章编号： | 1008-9004(2004)02-0052-04 |
Analyzing Zhang Yan'''' s Poems Theory |
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| LI xiao-yun. Analyzing Zhang Yan'''' s Poems Theory[J]. Journal of Ezhou University, 2004, 11(2): 52-55 |
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| Authors: | LI xiao-yun |
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| Affiliation: | LI xiao-yun |
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| Abstract: | The core of Zhang Yan's Theory of poem style is grace. The grace and simplicity of a poem is not a skin-deep term, but refers to the use of language, and the art of composition. And the grace is a aesthetic category and implies a noble artistic conception. |
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| Keywords: | Zhang Yan's Theory of Poems grace simplicity artistic conception |
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