首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论田汉话剧借鉴戏曲的艺术创造
引用本文:胡星亮.论田汉话剧借鉴戏曲的艺术创造[J].广西师范大学学报(哲学社会科学版),2002,38(2):59-64.
作者姓名:胡星亮
作者单位:南京大学,中文系,江苏,南京,210093
摘    要:田汉在戏剧创作中积极继承中国戏曲的艺术传统,他的话剧具有强烈而鲜明的民族风格和民族气派。田汉以幻想,梦幻的形式去表现现实,强调“情到真时事亦真”的传奇性等方法,那种“失望的悲哀、苦闷的惆 怅”的情感色调,跟中国戏曲艺术的浪漫主义传统有关,无论是抒情性意境,还是叙事性意境的创造,田汉话剧在很大程度上也得益于王实甫、关汉卿剧作的启发。

关 键 词:田汉  话剧  戏曲
文章编号:1001-6597(2002)02-0059-06
修稿时间:2001年9月15日

THE ARTISTIC CREATION AND HERITAGE IN TIAN HAN'S MODERN DRAMA
HU Xing-liang.THE ARTISTIC CREATION AND HERITAGE IN TIAN HAN'S MODERN DRAMA[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2002,38(2):59-64.
Authors:HU Xing-liang
Abstract:Tian Han actively inherits the artistic tradition of Chinese operas, and his dramatic works are distinguished with the striking national style. He presents the reality by means of fantasy and illusion and employs the legendary means of "when the emotion is true, the plot becomes true, too". In his modern dramas, the tone of disappointed sorrow and depressed melancholy is related to the romantic tradition of the Chinese dramatic art. The lyrical conception and the creation of narrative conception in Tian Han's modern dramas greatly benefit from the enlightenment of Wang Shi-pu's and Guan Han-qing's operas.
Keywords:Tian Han  modern drama  traditional Chinese operas
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号