| 宋代文人画“以书入画”理论的历史意义探析 |
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| 引用本文： | 赵书英. 宋代文人画“以书入画”理论的历史意义探析[J]. 佳木斯教育学院学报, 2011, 0(2): 72-72 |
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| 作者姓名： | 赵书英 |
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| 作者单位： | 渭南师范学院人事处,陕西渭南,714000 |
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| 基金项目： | 渭南师范学院研究生专项科研项目11YKZ031 |
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| 摘 要： | 宋代的文人画家从理论和实践上都进一步发展了张彦远以书入画的理论:从人物画推及山水、花鸟扩大了题材,书法笔法、笔意入画更是影响深远,为文人画以书入画理论在元代的成熟与发展奠定了基础,意义重大。
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| 关 键 词： | 宋代 文人画 以书入画 历史意义 |
Historical significance of calligraphic techniques into painting theory of Song Dynasty painting |
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| Zhao Shu-ying. Historical significance of calligraphic techniques into painting theory of Song Dynasty painting[J]. Journal of Jiamusi Education Institute, 2011, 0(2): 72-72 |
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| Authors: | Zhao Shu-ying |
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| Affiliation: | Zhao Shu-ying(Weinan Normal University Personnel Department,Weinan Shanxi,714000,China) |
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| Abstract: | The literati painters of Song Dynasty further developed the calligraphic techniques into painting theory of Zhang Yan-yuan from the theory and practice.from the figure to push on landscapes,birds and flowers to expand the subject matter,calligraphic brush,pen and picturesque even more far-reaching implications for the painting,it laid the foundation of the maturation and development in Yuan Dynasty ofcalligraphic techniques into painting theory and had great significance. |
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| Keywords: | Song Dynasty literati painting calligraphic techniques into painting historical significance |
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