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郁达夫小说的召唤性
引用本文:郑伟,韩娟. 郁达夫小说的召唤性[J]. 绵阳师范学院学报, 2007, 26(4): 52-54,59
作者姓名:郑伟  韩娟
作者单位:1. 云南大学人文学院,云南昆明,650091
2. 云南大学人文学院中文系,云南昆明,650091
摘    要:“召唤性”是西方接受美学理论的一个术语,它存在于文本的各个层面之中。郁达夫是中国现代文学史上颇具争议的文学家,但他小说文本中的变换多姿的颜色词语、叙述视角独具风格,都在不同层面展示了召唤性,给人们提供了崭新的感受方式来触及自我的存在,表明郁达夫作为一代文学大家在审美开掘和人文关怀方面进行的种种努力,使爱国信念和民族忧患意识得到合理性接受。

关 键 词:郁达夫  召唤性  颜色词语  叙述视角
文章编号:1672-612x(2007)04-0052-03
修稿时间:2007-01-11

On the Summonship in Yu Dafu''''s Novels
ZHENG Wei. On the Summonship in Yu Dafu''''s Novels[J]. Journal of Mianyang Normal University, 2007, 26(4): 52-54,59
Authors:ZHENG Wei
Affiliation:School of Humanities, Yunnan University, Kunming 650091
Abstract:The term summonship is a conception in the field of acceptance aesthetics,which exists in the different layers of one text.Yu Dafu is a famous and controversial writer.The ample words,however,attempt to portray colors and distinct narrative viewpoints to express obvious summonship,which produce a new way of feeling to touch the existence of selves.The skills prove that Yu Dafu made contributions to digging aesthetics and human concern in order to make the patriotism and the sense of national suffering accepted by common people.
Keywords:Yu Dafu  summonship  color words  narrative perspective
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