诗画之变--读《拉奥孔》论现代主义文艺诗画关系

文艺理论和创作实践都离不开产生的时代。莱辛提出的诗画并质理论,关注媒介特性的区别,曾经推动了西方启蒙运动的发展。然而,由于“时空”观念和“真实”观念的转变,莱辛的诗画理论已经无法解释现代文艺中种种现象：语言艺术突破了不宜于表现空间形式的清规戒律,并以意识流和非情节化取消了“动作”、“情节”的中心地位;造型艺术亦突破了不适合于表现事物在时间中运动的原则,还运用随意一瞥的摄影式方法代替了对“最富于孕育性的那一顷刻”的把握。

The Change of Poem and Painting:Reading Laocoon to Discuss the Relation Between Poem and Painting of Modernistic Art and Literature

Lessing put forward the theory on heterogeneity of poem and painting that emphasizes on media's characters.It has promoted the enlightenment movement's progress.But,because of the conversion of concept about space-time and verity,Lessing's theory now cannot explain kinds of phenomena in modernistic art and literature.The language art is broken through the rules of not proper in performing space form.Stream of consciousness and non-details substituted the center point of "act" and "plot".Plastic art is also broken through the principle of not suitable for performing thing exercised in time.The using of the method of the quick glance at random like photograph replaces the exercising of"a most implicative short instant".