| 浅论汤显祖的戏剧观 |
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| 引用本文： | 李燕,江梅. 浅论汤显祖的戏剧观[J]. 新疆职业大学学报, 2005, 13(1): 54-56 |
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| 作者姓名： | 李燕 江梅 |
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| 作者单位： | 1. 新疆大学,新疆,乌鲁木齐,830046
2. 石河子大学,新疆,石河子,832000 |
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| 摘 要： | 汤显祖是晚明戏剧宗师,也是一位杰出的戏剧理论家。他的戏剧观的核心是“唯情说”,强调创作要以情为主,高扬“唯情主义”的大旗。他非常注重作品的内容,强调作品的“意趣神色”,蔑视外在形式的束缚,从而确立了自己浪漫主义的戏剧创作原则,成为后世戏剧创作的典范。
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| 关 键 词： | 汤显祖 唯情主义 浪漫主义 戏剧 明代 文学研究 创作原则 |
| 文章编号： | 1009-9549(2005)01-0054-03 |
| 修稿时间： | 2004-10-25 |
An Initial discuss on the Viewpoint of Tang Xianzu's Drama |
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| LI Yan,JIANG Mei. An Initial discuss on the Viewpoint of Tang Xianzu's Drama[J]. Journal of Xinjiang Vocational University, 2005, 13(1): 54-56 |
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| Authors: | LI Yan JIANG Mei |
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| Affiliation: | LI Yan 1,JIANG Mei 2 |
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| Abstract: | Tang Xianzu was a great master of drama in late Ming dynasty. He was also an excellent drama theorist. The core of his drama opinion was the celebrated "affectionism" . Tang Xianzu emphasized that writings should be based on affection and he raised highly the banner of "affectionism". Besides, he paid attention to the content of writings, advocated the character of "interest and expression" in works, cared nothing about exterior form. Tang Xianzu established his own creation rule that was romanticism and it became a model of drama works. |
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| Keywords: | Tang Xianzu affectionism interest and expression romanticism |
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