关于"新音乐"创新效果与受众审美需求失衡的阐释——西方20世纪"新音乐"创新的局限性分析之四

本文主要探讨了"新音乐"创新效果与受众审美需求失衡的症结.认为,二者失衡的症结在于"新音乐"与受众审美心理需求相左,与受众期待视野相左,同时也探讨了影响受众选择和接受音乐作品的相关因素,如受众的"个人差异"、群体接受对个体接受的影响.二者失衡的原因主要是,"新音乐"创作失去主客一体化的范式,只考虑创作者主体,而忽视听众的需求,从而影响了作品的被接受和被传播,也失去了二者之间的调节机制.其后果是创作者与受众之间的链接断裂,阻碍了"新音乐"创作的良性发展.

Expatiation on the Imbalance of New Music's Innovative Results and Audience's Aesthetic Demands: The Analysis on the Limitations of the Twentieth Century Western New Music's Innovation IV

The thesis mostly discusses the sticking points and reasons of the imbalance of New Music's innovative results and audience's aesthetic demands.It tells that the sticking points of their imbalance lie on the fact that New Music contradicts audience's aesthetic demands and expectations.Meanwhile,it also discusses the relevant factors that influence audience's choice and acceptation of musical works,for example,audience's individual differences and the influence of mass acceptation on individual acceptation.The major reason of their imbalance is that New Music composition lacks the model of the integration of subjectivity and objectivity.It emphasizes the composer while ignores the audience's demands,thus prevents the works from being accepted and prevailed,loses the adjustive mechanism therein.Consequently,it causes the disconnection of composers and audience and prevents New Music composition's smooth development.