审美制度：日常生活的讲述者--以广西那坡县黑衣壮为例

审美制度是审美意识形态的具体表现,它较其他意识形态所具有的优势和特点就在于它形成于并且深深地渗入人们的日常生活经验之中,人们把它当作“自己的法律”(禁忌)而自觉地遵循并成为对其行动给予暗示和支配的内在的化指令。因此,在“禁忌”意识形态凝视下,审美制度必然通过一整套表意系统保证主体的欲望表达,但另一方面,在日常生活中主体混沌欲望渴求得以全部表达的冲动必然要求通过审美变形对禁忌主题进行重新表达,同样进入审美制度的保护性机制中。在这里,日常生活就因包蕴着这两种复杂的欲望表达机制而成为审美制度的具象,因此问题的关键便指向了对“日常生活”化内蕴的阐释。

AESTHETIC SYSTEM: THE NARRATOR OF THE DAILY LIFE--A Discussion Based on the Example of the Heiyi-Zhuang in Napo,Guangxi

Aesthetic system is the concrete embodiment of the aesthetic ideology. Compared with any other ideology, its advantage and characteristics lie in the fact that it infiltrates into people's experience of daily life and that people regard it as "their own law" (taboo) and conform to it and thus it becomes the intrinsic cultural instruction which governs people's behavior. Therefore, under the scrutiny of the "taboo" ideology, the aesthetic system ensures the subject to express his/her desire through a complete expression system. On the other hand, in daily life the impulse of the subject to express completely the chaotic desire demands re expressing the taboo themes by way of aesthetic transformation. Here, daily life consists of two complicated mechanisms for expressing desires and becomes the concrete object of the aesthetic system. Thus the crux of the matter is how to expound the content of culture.