| 《金瓶梅》人物描写技法评点摭谈 |
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| 引用本文： | 贺根民.《金瓶梅》人物描写技法评点摭谈[J].河西学院学报,2012(1):52-56. |
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| 作者姓名： | 贺根民 |
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| 作者单位： | 广西师范学院文学院 |
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| 基金项目： | 广西教育厅2010年度课题“张竹坡、文龙《金瓶梅》评点平行论”(201010LX271)的阶段性成果 |
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| 摘 要： | 人物技法是小说人物塑造规律的整体归纳,《金瓶梅》评点者侧重文本细读,寻绎作者塑造人物的技法。他们就人物形象的传神效应、人物形象的个性特征和人物关系设置等命题的探究,发掘小说人物塑造相对自足的演变规律,凸显了中国古代小说理论的艺术辩证法色彩。
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| 关 键 词： | 《金瓶梅》 小说评点 人物技法 |
Pick on Figure Techniques of Golden Lotus |
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| He Gen-min.Pick on Figure Techniques of Golden Lotus[J].Journal of Hexi University,2012(1):52-56. |
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| Authors: | He Gen-min |
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| Institution: | He Gen-min (School of Chinese Language & Literature,Guangxi Teachers College,Nanning,Guangxi530001) |
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| Abstract: | Figure techniques are the principles which model the novel characters.The reviewers of Golden Lotus emphasize on reading the text in detail and seeking the character creation techniques.They explore the portrait’s romantic charm and personality,the relations between characters,and unearth the relative self-sufficient law of novel character model,which highlights the beauty of artistic dialectics in Chinese ancient novel theory. |
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| Keywords: | Golden Lotus Novel comments Figure technique |
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