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综合版画的精神诉求与载体特征
引用本文:杨广红. 综合版画的精神诉求与载体特征[J]. 巢湖学院学报, 2013, 0(4): 91-94
作者姓名:杨广红
作者单位:巢湖学院艺术学院
摘    要:综合版画是现代版画艺术中的一种独立版种形式,在中国的发展历史只有几十年时间,却在技法造型、图式理念及媒介手段的综合应用方面突破传统版种的边界限定,不断改变着中国创作版画的视觉形态。版画注重制作方法,印版是艺术家表达精神诉求的物质载体。综合版画在制作技术上通过不断试验创新获得新的视觉经验,达到表现手段自由应用目的,并在实践中产生不同于其它版种作品的痕迹趣味,形成综合版画材质本身特有的痕迹语言特征。综合版画将物性痕迹造型语言与精神理念相互融合,形成综合版画独特的趣味性审美表达。

关 键 词:综合版画  精神  载体

THE SPIRITUAL PURSUIT AND CARRIER FEATURES OF COMPREHENSIVE PRINTS
YANG Guang-hong. THE SPIRITUAL PURSUIT AND CARRIER FEATURES OF COMPREHENSIVE PRINTS[J]. Chaohu College Journal, 2013, 0(4): 91-94
Authors:YANG Guang-hong
Affiliation:YANG Guang-hong(Fine Arts Department of Chaohu College,Chaohu Anhui 238000)
Abstract:The comprehensive print is a form of the independent version in modern prints art. With its history of only a few decades in China,its comprehensive application of modeling techniques, media tools and drawing concepts breaks through the boundary limit of the traditional version,constantly changing the visual form of Chinese printmaking. Printmaking emphasizes production methods, and printing plates are the material carriers of artists' expressing spiritual pursiut. Through continuous test and innovation, printmaking in the production of technology obtains a new visual experience and freedom of expression means to achieve the purpose of application, and in practice it is different from the other versions because it creats interests of traces and forms its language features peculiar to a comprehensive print. Prints will integrate modeling language with physical traces of spiritual concepts to form unique interesting aesthetic expression of comprehensive prints
Keywords:comprehensive prints  spirit  carrier
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