一波三折 余势未了——浅析《窦娥冤》第四折

元代关汉卿创作的《窦娥冤》取得了巨大的文学艺术成就。但也有人认为该剧第四折鬼魂情节的安排很大程度上削弱了作品的批判性。然而笔者认为,《窦娥冤》的批判意义其实正体现在窦娥的鬼魂形象的设计上,因此,仅以鬼魂的出现就压低关汉卿作品的成就是不公平的。

Analysis of the Fourth Scene of Dou'e Yuan

Dou'e Yuan written by Guan Hanqing of Yuan Dynasty had achieved a huge success from the perspective of literature and art.But,someone thinks that the plot of soul in the fourth scene of Dou'e Yuan had weakened the criticism of the drama.But the writer's point of view is that the criticism meaning of Dou'e Yuan is truly reflected by the design of Dou'e's soul image,so it is not fire to underestimate the achievement of the works of Guan Hanqing only by the appearance of the soul.