布洛的“心理距离说”与朱光潜早期美学思想

在20世纪心理学美学诸流派中,布洛的"心理距离说"对朱光潜先生早期美学思想影响至深。朱先生不仅据此批判了克罗齐形式主义的"直觉说",合理的解释了美感发生的心理条件;而且应用"距离"于悲剧的研究和人生美学的探索,使悲剧理论在辨证综合的道路上前进了一大步,并对人生、生活作了美学的诠释,将艺术人生化,人生艺术化,完成了"人生──艺术"之间的双向过渡。

Buro's psychological distance hypothesis and ZHU Guang-qian's early Aesthetics

Among the psycho - acsthetic schools of 20th century, Bullough's doctrine of "psychological distance"could be said to hav exerted great influence on Mr ZHU Guang - qian's theory of early period, On the basis ofBullough's doctrine, Mr ZHU not noly criticized Croce's teachings of intuition which belonged to formalism, reasonably explaining psycholoical conditions for arousing aesthetic feelings, but also qpplied "distance" to thestudy of tragedy and the probe into aesthetics of life, with the result of pushing the theory on tragedy a big stepforward in a dialectical and synthetic way, and expounding life from aesthetic point of view which realised themutual transformation between life and art, lence life in art as well as art in life.