| 《还珠格格》的审美追求 |
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| 引用本文： | 刘向红,张立国.《还珠格格》的审美追求[J].山西广播电视大学学报,2000,6(3):19-20. |
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| 作者姓名： | 刘向红 张立国 |
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| 作者单位： | 山东济宁电大,山东,济宁,272100 |
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| 摘 要： | 电视剧《还珠格格》的审美追求表现在人物造型、语言个性、情节高潮、镜头语言四个方面。肯定了艺术起源游戏说，对传统的艺术起源于劳动说提出质疑，从而对《还》剧有一种更切实的理解和评价。
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| 关 键 词： | 《还珠格格》 审美追求 艺术起源 电视剧 人物造型 镜头语言 |
| 文章编号： | 1008-8350(2000)03-0018-02 |
| 修稿时间： | 1998年8月21日 |
The Aesthetic Pursuit of the TV Series the Royal Daughter Huanzhu |
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| LIU Xiang-hong,ZHANG Li-guo.The Aesthetic Pursuit of the TV Series the Royal Daughter Huanzhu[J].Journal of Shanxi Radio & Tv University,2000,6(3):19-20. |
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| Authors: | LIU Xiang-hong ZHANG Li-guo |
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| Institution: | LIU Xiang-hong 1 ZHANG Li-guo 2 |
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| Abstract: | The aesthetic pursuit of the Royal Daughter Huanzhu,the TV series,is exhibited in four aspects:the shaping of the characters,the peculiarity of the language,the climax of the plot and the photographic expressions.The TV play affirms the saying that art derives from games and put to the question the saying that art derives from labor,thus showing a more prctical understanding and assessment of the play. |
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| Keywords: | the royal daughter Huanzhu aesthetic pursuit source of art saying of games |
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