| 谢赫“六法”的历史演变 |
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| 引用本文： | 王玉贞.谢赫“六法”的历史演变[J].大同职业技术学院学报,2010(1). |
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| 作者姓名： | 王玉贞 |
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| 作者单位： | 山西大同大学艺术学院; |
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| 基金项目： | 山西大同大学青年科学研究课题“谢赫六法论研究”,项目编号:2007Q06 |
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| 摘 要： | 南齐谢赫首次提出了六法论,成为中国美术史上影响最深远的美学理论之一,但六法并非是万古不移的。随着时代的发展和绘画艺术的发展、演变,其具体含义也发生了量或质的变化,六法间的相互关系也相应发生了显著的变化。中国画的发展、演变和成熟的过程,也就是六法的发展、演变和成熟的过程,二者是同步进行的。
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| 关 键 词： | 谢赫 六法 含义 关系 变化 |
The Historical Evolvement of Xie He's Six Creating Methods of Art |
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| WANG Yu-zhen.The Historical Evolvement of Xie He's Six Creating Methods of Art[J].Journal of Datong Vocational College,2010(1). |
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| Authors: | WANG Yu-zhen |
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| Institution: | School of Arts;Shanxi Datong University;Datong Shanxi;037009 |
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| Abstract: | Xie He,Southern Qi Dynasty,brought forward Six Creating Methods of Art for the first time,which is also one of the most impressive theories in the Chinese fine arts history.However,the theory is not eternal and unchangeable.With the development of the time and the evolvement of painting arts,the concrete contents of the theory has changed in both quantity and quality as well as their relationship.The process of development,evolvement and mature of Chinese painting is just the same one of Six Creating Method... |
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| Keywords: | Xie He Six Creating Methods of Art implication relationship change |
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