从唯美主义到布波族

波西米亚艺术与商业精神同时出现于近代欧洲,然而却在唯美主义对资产阶级伦理与生活方式的批判中分离；唯美主义代表人物王尔德努力进行审美救赎观念的实践,但是最终却被资本主义商业精神战胜；二战后,在美国垄断资本主义的高压下,波西米亚艺术家、批判理论家和青年学生开始了新的反抗,而其结果是在70年代后出现了波西米亚与布尔乔亚的融和,形成了新的先锋人群：布波族.这一新兴人类体现了新的工作、生活方式,并担负起完成审美救赎的重任.

From Aestheticism to Bobos

Bohemian art and commercial spirit nearly appeared simultaneously in modem Europe and shared some-thing in common, however, the two departed when supporters of aestheticism began attacking bourgeois ethics and lifestyle. The esthete Oscar Wilde is presented as a good example to interpret aesthetic redemption concept and his application of aesthetic theories to the daily life, but aestheticism was defeated by commercial spirit during the cap- italized process in the western world. After World War II, under high pressure of the U. S. , monopoly capitalism, bohemian artists, critical theorists and young students began a new revolt, while resulting in the integration of bourgeois and bohemian 70 years later and giving rise to the formation of a new vanguard of the crowd： Bobos, who shoulder the task of real aesthetic redemotion.