| 高更的艺术美学观初探 |
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| 引用本文： | 范迎春. 高更的艺术美学观初探[J]. 湘南学院学报, 2002, 23(3): 82-84 |
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| 作者姓名： | 范迎春 |
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| 作者单位： | 郴州师范高等专科学校,美术系,湖南,郴州,423000 |
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| 摘 要： | 保罗·高更是 19世纪法国后印象主义绘画代表人物 ,他用感性的方法去观察自然、解释自然 ,形成了自己的艺术美学观。高更认为 :自然是和谐、统一和有序的 ;艺术能够促使人的感情升华 ,在艺术中是“激情第一 ,理智第二” ;艺术可以作为一种由感性通向理性、超越感性本身的途径。
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| 关 键 词： | 保罗·高更 自然 艺术 情感 和谐 |
| 文章编号： | 1008-2042(2002)03-0082-03 |
| 修稿时间： | 2002-02-15 |
A Probe into Higher Art Aesthetics |
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| FANG Yin-chun. A Probe into Higher Art Aesthetics[J]. Journal of Xiangnan University, 2002, 23(3): 82-84 |
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| Authors: | FANG Yin-chun |
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| Abstract: | Paul Ganguin was a French representative of impressionism painting in 19th Century. With geist way, he formed his own art aesthetics through observation and explanation of nature. He held that nature is in harmony, unity and order; and art can sublime people's emotion; in art; enthusiasm the first, sense the second; Art can be regarded as a means leading from geist to sense, and finally surpass the sense itself. |
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| Keywords: | Paul Gauguin nature art emotion harmony |
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