| "韵"范畴在清代词学中的承传 |
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| 引用本文： | 胡建次. "韵"范畴在清代词学中的承传[J]. 绵阳师范学院学报, 2007, 26(3): 47-51 |
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| 作者姓名： | 胡建次 |
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| 作者单位： | 南昌大学中文系,江西南昌,330031 |
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| 摘 要： | "韵"范畴在清代词学中的承传,主要体现在两个维面:一是批评层面对"韵"的承传运用;二是理论层面对"韵"的承传阐说.在第一个维面,"韵"在北宋中期进入到词学批评中后,其实并未得到大量运用,但发展到清代,它成为了人们品评词人词作的主要审美范畴;在第二个维面,其承传的内容主要体现在对"韵"作为词作审美之本的标树、对词韵审美特征与要求的探讨及对词韵创造与生成的考察上.上述两个维面,将"韵"作为词学审美范畴的内涵较为充分展现了出来.
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| 关 键 词： | 清代词学 " 韵" 范畴 承传 词学审美范畴 清代词学 承传 Category Link Connecting rhyme Qing Dynasty 考察 创造 审美特征 词韵 标树 词作 词人 品评 为了人 发展 词学批评 北宋中期 |
| 文章编号： | 1672-612x(2007)03-0047-05 |
| 修稿时间： | 2007-02-28 |
Connecting Link of Category of "Yun"(rhyme)inCi-poetry Theory in the Qing Dynasty |
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| HU Jian-ci. Connecting Link of Category of "Yun"(rhyme)inCi-poetry Theory in the Qing Dynasty[J]. Journal of Mianyang Normal University, 2007, 26(3): 47-51 |
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| Authors: | HU Jian-ci |
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| Abstract: | The connecting link of category of "Yun"(rhyme) in the Ci-poetry theory in the Qing dynasty is mainly embodied in two aspects.One is a connecting link applied in the critical aspect,the other is a connecting link explained in the theoretical aspect.In the first aspect,the category of "Yun" actually is not much applied after it gets into Ci-poetry criticism in the middle Song dynasty.It becomes the major aesthetic category to comment on the poet or the poem.In the second aspect the contents are mainly embodied in three aspects: praising it as the Ci-poetry aesthetic root,probing its aesthetic characteristics,inspecting its creation and product.The above-mentioned two aspects comparatively amply show the contents of "Yun" as the Ci poetry aesthetic category. |
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| Keywords: | Ci-poetry theory in the Qing dynasty,category of " Yun" ,connecting link |
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