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道教建醮文化在视觉艺术上之应用——以玄天上帝庙建醮活动为例
引用本文:吕宜珍. 道教建醮文化在视觉艺术上之应用——以玄天上帝庙建醮活动为例[J]. 郧阳师范高等专科学校学报, 2006, 26(5): 8-13
作者姓名:吕宜珍
作者单位:国立屏东教育大学,视觉艺术教育学系,台湾,台北,222
摘    要:传统社会习俗、宗教礼俗、族群特色文化等,可以从图像学、符号学、传统脸谱艺术、色彩学及艺术社会学的角度,成为创作基本内涵,其图腾与造型藉由中国古文字及古纹饰作为主要造型架构,与宗教哲理结合,并融合现代艺术造型表现方式,以观念艺术、装置艺术作为展演方式,达到综合体的造型艺术表现,创作理念综合传统的与当代的艺术表现形式整体呈现。

关 键 词:道教  社会习俗  宗教信仰
文章编号:1008-6072(2006)05-0008-06
收稿时间:2006-06-18
修稿时间:2006-06-18

The Application of Taoist Jiao-establishing Culture in Visual Art
LV Yi-zhen. The Application of Taoist Jiao-establishing Culture in Visual Art[J]. Journal of Yunyang Teachers College, 2006, 26(5): 8-13
Authors:LV Yi-zhen
Abstract:From the angles of iconology,semeiology,traditional face art,chromatics and art sociology,traditional social customs,religious customs and clan special culture may become the basic connotation of creation,whose totem and sculpt with China's ancient characters and decorations as the main sculpt structure,who combined religious philosophy and modern art sculpt expression ways,with theory art and setting art as the performing means,to perform the comprehensive sculpt art.Creation theory has combined traditional and modern art expression forms to form a comprehensive performance.
Keywords:Taoism   social customs   religious belief
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