| 让四川民歌走出沉寂 |
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| 引用本文： | 刘珊珊. 让四川民歌走出沉寂[J]. 四川教育学院学报, 2011, 27(1): 50-52. DOI: 10.3969/j.issn.1000-5757.2011.01.050 |
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| 作者姓名： | 刘珊珊 |
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| 作者单位： | 四川教育学院,音乐系,成都,611130 |
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| 摘 要： | 民歌,确是作曲家＂取之不尽,用之不竭＂的源泉。然而,相当长的一段时间以来,在蔑中崇洋、薄己厚彼,对外来的东西一味盲从、效法,甚至到了专门取其糟粕、去其精华的地步。在这样的大文化环境之下,四川民歌面临严峻的形势。作者通过对音乐大师与民歌的关系以及对四川民歌特点等的分析,指出应该让四川民歌走出沉寂。
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| 关 键 词： | 四川民歌 沉寂 源泉 民族性 |
Singing out Sichuan Folk Songs |
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| LIU Shan-shan. Singing out Sichuan Folk Songs[J]. Journal of Sichuan College of Education, 2011, 27(1): 50-52. DOI: 10.3969/j.issn.1000-5757.2011.01.050 |
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| Authors: | LIU Shan-shan |
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| Affiliation: | LIU Shan-shan(Department of Music,Sichuan College of Education,Chengdu 611130,China) |
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| Abstract: | Folk songs are inexhaustible fountainhead for composers.Proven by both Chinese and western musical histories from ancient times to modern age,the most popular and long-lived musical compositions and styles are rooted in folk songs.In a long period,however,a trend that worships things foreign and fawns on foreign countries dominates the national cultural environment.Sichuan folk songs face severe challenges.Through the analysis of the relationship between music educators and folk songs and the characteristic... |
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| Keywords: | Sichuan folk songs dreariness fountainhead nationality |
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