| 石涛“一画”论美学思想新探 |
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| 引用本文： | 施荣华. 石涛“一画”论美学思想新探[J]. 云南师范大学学报(哲学社会科学版), 2003, 35(5): 82-87 |
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| 作者姓名： | 施荣华 |
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| 作者单位： | 云南师范大学艺术学院,云南,昆明,650092 |
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| 摘 要： | 石涛的“一画”论蕴含着丰富的美学思想。本主要从现代美学理论的高度,探讨了石涛美学思想中具有现代意识的主体艺术体验论。论认为,形成石涛丰富美学思想的原因主要是三个方面：一是复杂而深刻的故国黍离的遗民思想;二是以“造化”为师,遍游名山大川的实践艺术观;三是禅宗“超佛越祖”大彻大悟的至高境界。
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| 关 键 词： | 石涛 “一画”论 《画语录》 主体艺术体验论 “法自我立” “不似似之” |
| 文章编号： | 1000-5110(2003)05-0082-06 |
| 修稿时间： | 2003-02-24 |
A new inquiny concerning Shi Tao's "one drawing" Aesthetics |
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| SHI Rong-hua. A new inquiny concerning Shi Tao's "one drawing" Aesthetics[J]. Journal of Yunnan Normal University(Philosophy and Social Sciences Edition), 2003, 35(5): 82-87 |
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| Authors: | SHI Rong-hua |
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| Abstract: | Shi Tao's "one drawing" theory contains plenty of aesthetic ideas. From the modern aesthetic level, this essay discusses the idea of subject artistic experience in Shi Tao's Aesthetics, which has shown modern consciousness. There are three causes to form Shi Tao's aesthetic idea: the first is the complicated, deep idea of missing Ming dynasty; the second is the practically artistic idea of learning nature by traveling; the last is the highest state of surpassing Buddha to the ultimate insight of Zenism. |
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