| 《紫箫记》、《紫钗记》散出选萃论略 |
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| 引用本文： | 吴敢.《紫箫记》、《紫钗记》散出选萃论略[J].昆明师范高等专科学校学报,2011(1):49-52. |
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| 作者姓名： | 吴敢 |
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| 作者单位： | 徐州师范大学文学院,江苏徐州221006 |
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| 摘 要： | 《紫箫记》、《紫钗记》散出选萃情况表明：万历时期所选戏曲散出,与剧本原本出入不大（尤其是出目）,而乾隆时期所定折子戏,大多与原本相去甚远（尤其是道白）;万历时期是要把剧本中的精萃散出挑选出来,乾隆时期则是把折子戏锻炼成经典。
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| 关 键 词： | 紫箫记 紫钗记 散出 选萃 |
Discussion about the Scattering Quintessential Extracts from The Purple Flute,The Purple Hairpin |
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| WU Gan.Discussion about the Scattering Quintessential Extracts from The Purple Flute,The Purple Hairpin[J].Journal of Kunming Teachers College,2011(1):49-52. |
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| Authors: | WU Gan |
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| Institution: | WU Gan(Institute of Liberal Arts,Xuzhou Normal University,Jiangsu Xuzhou 221006,China) |
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| Abstract: | The situation of the scattering quintessential extracts from The Purple Flute and The Purple Hairpin indicates that the selected scattering operas during Wanli period are similar to the original ones,especially Chu Mu while most of the selected Zhe Zi operas during Qianlong period have great difference from the original ones,especially Dao Bai.The reason is that the task in Wanli period is to pick out the scattering quintessence among the operas whereas the task in Qianlong period is to mold the Zhe Zi operas into classics. |
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| Keywords: | The Purple Flute The Purple Hairpin scattering quintessential extract |
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