| 论诸宫调与曲子词的关系 |
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| 引用本文： | 龙建国. 论诸宫调与曲子词的关系[J]. 南京师范大学文学院学报, 2002, 0(2): 62-65 |
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| 作者姓名： | 龙建国 |
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| 作者单位： | 江西财经大学,艺术与传播学院,江西,南昌,330013 |
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| 摘 要： | 从讲唱学这一样式来看,诸宫调与唐代变又是一脉相承的;而从音乐体制来看,诸宫调与曲子词则是“血肉相连”。诸宫调基本上是将曲子词直接“搬进”自己的结构体制中来演唱,或说,宋金诸宫调所“唱”的部分就是曲子词的有机组合。因此而言,曲子词对诸宫调的影响是直接的、巨大的。
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| 关 键 词： | 体式 音律 结构体制 曲牌 源流 曲子词 燕乐词 宫调 讲唱文学 |
| 文章编号： | 1008-9853(2002)02-062-04 |
| 修稿时间： | 2002-03-20 |
On the Relationship between Zhugongdiao and Quzici |
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| Long Jianguo. On the Relationship between Zhugongdiao and Quzici[J]. Journal of Chinese Language and Culture School Nanjing Normal University, 2002, 0(2): 62-65 |
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| Authors: | Long Jianguo |
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| Affiliation: | Long Jianguo |
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| Abstract: | Considered in the genre of story-telling literature, zhugongdiao (the multiple tunes), like the transformed writings of the Tang Dynasty, follows the same tradition. Considered from the musical system, however, it is linked to quzici (ci poems composed to the set tunes) "as flesh and blood." Almost all zhugongdiao directly "transfers quzici to its own structural system to be sung, or rather, the parts to be sung in zhugongdiao are an organic assemblage of quzici. Therefore, the latter has a direct and tremendous impact on the former. |
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| Keywords: | quzici Yan music zhugongdiao |
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