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古装剧与文明戏的历史演进——吕家河民歌《童养媳》与《姑恶》比较
引用本文:张晓莉.古装剧与文明戏的历史演进——吕家河民歌《童养媳》与《姑恶》比较[J].郧阳师范高等专科学校学报,2006,26(5):28-29.
作者姓名:张晓莉
作者单位:湖北汽车工业学院,人文社科系,湖北,十堰,442002
基金项目:湖北省教育厅人文社会科学规划项目
摘    要:郑板桥的叙事诗《姑恶》与吕家河土改背景下的新民歌《童养媳》都是描述身为童养媳的女性在婆家遭受非人待遇的作品。综观两篇不同历史时期的作品.我们发现女性的命运随着历史演进发生了天翻地覆的变化,她们逐渐被赋予了更多的人性关怀和表达的空间,被赋予了更多的“话语权”。封建剧场上昔日上演的古装剧.已换成了新的文明戏。

关 键 词:吕家河民歌  童养媳  郑板桥  叙事诗  姑恶
文章编号:1008-6072(2006)05-0028-02
收稿时间:04 21 2006 12:00AM
修稿时间:2006年4月21日

The Historical Evolution of Costume Piece and Civilization Play
ZHANG Xiao-Li.The Historical Evolution of Costume Piece and Civilization Play[J].Journal of Yunyang Teachers College,2006,26(5):28-29.
Authors:ZHANG Xiao-Li
Institution:Department of Humanities and Social Science, H ubei Automobile Industry University, Shiyan 442000, China
Abstract:Zheng Ban-qiao's narrative poem Cruel Sisters-in-Law and the new folk song Child Bride under the land reform background in Wudang Mountains are the same works to describe the inhuman treatment of the women as child bride.Studying the two works,we can find out that the fate of women has had great changes with the historical evolution,to whom has been given more human care and the space to express themselves and the rights to speak.The costume piece played on the feudal theatre has changed into nowadays civilization play.
Keywords:vWudang Mountain folk song  child bride  Zheng Ban-qiao  narrative poem  Cruel Sisters-in-Law
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