| 竹林早识青云器，茂苑争传白苎词——梁辰鱼散曲试论 |
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| 引用本文： | 金鑫.竹林早识青云器，茂苑争传白苎词——梁辰鱼散曲试论[J].江西师范大学学报(哲学社会科学版),2004,37(1):66-69. |
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| 作者姓名： | 金鑫 |
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| 作者单位： | 江西师范大学,文学院,江西,南昌,330027 |
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| 摘 要： | 《浣纱记》的作梁辰鱼，其实也是一位很有影响的散曲作家。其艳词多寄寓不平之叹，曲唱方式继承魏良辅的依字声行腔的方法，使昆腔新声声韵谐和优美，长于抒情的风格得到进一步发展，以词为曲的语言风格提高了戏曲体的地位，但过于绮丽也是其不足之处。总之，梁辰鱼的散曲创作为《浣纱记》积累了丰富的作曲经验，起了一个先导作用。
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| 关 键 词： | 寄寓式闽情 声韵谐和 以词为曲 |
| 文章编号： | 1000-579(2004)01-0066-04 |
| 修稿时间： | 2003年3月27日 |
Discussing Liang- chengyu Sanqu |
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| JIN Xin.Discussing Liang- chengyu Sanqu[J].Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition),2004,37(1):66-69. |
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| Authors: | JIN Xin |
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| Abstract: | Liangchenyu,the author of the story of Washing Gauze, is an influential writer of sanqu.Full of high and graceful words,his work always contains discontentment.In the way of singing,he adopts weiliangfu's tonal system and further develops new Kun tune which is characteristic of lyricism and tuneful and beautiful melody.His language style of taking Ci as Qu has upgzaded the status of XiQu,but on the other hand,being too flowery has become his shortcoming.In a word,his literary creation has played a leading role and accumulated rich singing experience for the story of Washing Gauze. |
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| Keywords: | entrusting boudoir laments tunful melody taking Ci as Qu |
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