动画对“兴观群怨”诗学观的延承与转换

阐述了动画作品作为集多元化文学元素于一身的文艺表现形式,在文化传承中彰显着自身独特的心灵体验美质。认为它以＂兴观群怨＂的理论支柱为依托,以现代技术为衍生媒介,建构了独特而崭新的＂动画诗学＂,是中国传统诗学具有转换意义的一次现代审美尝试。传统诗学中的＂兴观群怨＂观在构筑动画诗学深层意蕴的同时也丰富了其艺术能指。动画作品对传统诗学观的延承与转换过程中,形成了审美的＂同嗜＂力量,并在文学史传统＂内在理路＂的规约下诠释了＂兴观群怨＂诗学观的现代生存境遇,完成了自身的审美实践。

Animation's Extension and Conversion for "Xing,Guan,Qun,Yuan"Poetic Concept

It is clarified that animation works,as an art form with multi-cultural elements,have formed a strong spread of aesthetic superiority in literature.It is pointed out that animation is a modern aesthetic trial with changing meaning of Chinese traditional poetry,with the theory of ＂Xing,Guan,Qun,Yuan＂ as the base,the modern technology as the media to build the unique and new ＂animation poetry＂.＂Xing,Guan,Qun,Yuan＂ in traditional poetic concept has built a deep meaning for animation poetic and enriched the art signifying of it.In the process of extension and conversion of traditional poetic concept,animation works have formed ＂the same addiction＂ power of aesthetic,interpreted modern survival situation of ＂Xing,Guan,Qun,Yuan＂ poetic concept under the provision and constraint of the ＂inner logic＂ in literary history tradition and achieved its own aesthetic practice.