| 艺术家的玫瑰画像 |
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| 引用本文： | 陈光亚,彭娜. 艺术家的玫瑰画像[J]. 黄冈师范学院学报, 2001, 21(1): 42-46 |
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| 作者姓名： | 陈光亚 彭娜 |
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| 作者单位： | 黄冈师范学院,外语系,湖北,黄冈,438000 |
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| 摘 要： | :象征 ,是乔伊斯常用的一个艺术表现手法。“玫瑰”,作为一个反复出现的象征意象 ,在《画像》中起到了不可替代的作用。本文论述了小说中玫瑰的象征意义 ,玫瑰作为涵盖作品内容的一种“有意味”的形式 ,及其在记叙主人公成长经历过程中所发挥的意象整合作用
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| 关 键 词： | 玫瑰 象征 艺术 有意味的形式 |
| 文章编号： | 1003-8078(2001)01-0042-05 |
| 修稿时间： | 2000-10-19 |
A portrait of the artist as a rose |
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| CHEN Guang-ya,PENG Na. A portrait of the artist as a rose[J]. Journal of Huanggang Normal University, 2001, 21(1): 42-46 |
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| Authors: | CHEN Guang-ya PENG Na |
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| Abstract: | James Joyce manipulates his predecessors' works to frame his own so that he can enrich the content of his works. In A Portrait, the rose plays an important part in the development of both structure and theme, in addition to the psychological development of Stephen. This paper is intended to explore these in such aspects as symbols, "significant form," and its aesthetic effects. |
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| Keywords: | rose, symbols, " significant form |
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