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荒诞派戏剧对艺术时间秩序的超越
引用本文:雷体沛.荒诞派戏剧对艺术时间秩序的超越[J].华中师范大学学报(人文社会科学版),2003,42(2):104-109.
作者姓名:雷体沛
作者单位:泉州师范学院,新闻系,福建,泉州,362000
摘    要:艺术离不开秩序,一切艺术都遵循有序化原则处理作品的内容与形式。这是艺术之为艺术的根本。即使是以混乱的碎片为主体的荒诞派戏剧也不例外,它是通过使混乱达到极至从而进入自否定状态,因此,也是作者精心选择的有意义的混乱,比如,《秃头歌女》中贯串全剧的发出错乱声响的挂钟,就使混乱的剧情有了一个秩序。

关 键 词:艺术秩序  荒诞派艺术  时间  秃头歌女  等待戈多
文章编号:1000-2456(2003)02-0104-06
修稿时间:2002年10月8日

On the Transcendence of Ridiculous Drama over the Time Order in Art
LEI Ti-pei.On the Transcendence of Ridiculous Drama over the Time Order in Art[J].Journal of Central China Normal University(Humanities and Social Sciences),2003,42(2):104-109.
Authors:LEI Ti-pei
Abstract:Art cannot be independent from order, all kinds of a rt are accordance with the order principle in dealing with literature works' for ms and contents, which is the essence of art. Even the ridiculous drama which ta kes confused fragments as its motif is without exception. By means of totally co nfusement, it enters into a state of self-denying. The confused fragments are d elicatedly chosen with their significance. This paper, taking the disorder belli ng in the drama, A Daldheaded Singer , as example to show the order hidden in the confused plots.
Keywords:art order  ridiculous drama  time  A Daldheaded S inger  Waiting For Gedo
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