| 广府文化在唐涤生改编剧中的艺术呈现 |
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| 作者姓名： | 邓晓君 |
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| 作者单位： | 广州华商学院汉文系 |
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| 摘 要： | 粤剧作为广府文化的意义载体,体现了广府文化多元兼容、感性世俗与务实持重的文化内涵。唐涤生的六部改编剧《六月雪》《牡丹亭惊梦》《蝶影红梨记》《帝女花》《紫钗记》《再世红梅记》至今仍盛演不衰,很大程度是因为这六部剧体现了广府文化内涵。唐氏六部改编剧在本地方言、粤剧音乐、脚色行当和舞台布置等四个方面,展现了粤剧艺术的广府文化之美。
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| 关 键 词： | 唐涤生改编剧 粤剧 广府文化 艺术呈现 |
The Artistic Presentation of Guangfu Culture in the Adaptation Operas of Tang Disheng |
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| Authors: | DENG Xiaojun |
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| Institution: | (Department of Chinese,Guangzhou Huashang college,Guangzhou 511300,China) |
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| Abstract: | As the meaning carrier of Guangfu culture,Cantonese opera reflects the multi-compatible,sensible secular and pragmatic cultural connotation of Guangfu culture.Tang Disheng’s six adaptations still perform well today,largely because these six operas reflect the cultural connotation of Guangfu.Through,the author discusses the artistic expression of Guangfu culture in the local dialect,Cantonese opera music,character and stage layout in the six adaptation operas of Tang Disheng. |
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| Keywords: | tang disheng’s adaptation opera cantonese opera guangfu culture artistic presentation |
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