| 中国画写意精神的思维形态 |
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| 引用本文： | 黄志强. 中国画写意精神的思维形态[J]. 华侨大学学报(哲学社会科学版), 2009, 0(3): 125-132 |
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| 作者姓名： | 黄志强 |
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| 作者单位： | 泉州师范学院美术学院,福建泉州,362000 |
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| 摘 要： | 中国写意画作为一种独特的表现形式，具有强烈的抒情性和寓意性。它要求用简练的笔墨，描绘出物象的形态和神韵。通过写意画“写”的情感基础、写意画“意”的思维形态和中国画写意精神的形成等三个方面，对中国画写意内核进行理论研究，企望厘清写意画精神的思维形态。
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| 关 键 词： | 写意精神 中国画 思维形态 |
Form of Thought of Freehand Brushwork in Traditional Chinese Paintings |
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| HUANG Zhi-qiang. Form of Thought of Freehand Brushwork in Traditional Chinese Paintings[J]. Journal of Huaqiao University(Humanities & Social Science), 2009, 0(3): 125-132 |
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| Authors: | HUANG Zhi-qiang |
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| Affiliation: | HUANG Zhi-qiang (Art School, Quanzhou Teachers College, Quanzhou, 362000, China) |
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| Abstract: | The traditional Chinese paintings of freehand brushwork, as a unique form of expression, are a strange lyric and emblematic, with a succinct drawing expressing the style and lingering charm. Through the three aspects of the emotional foundation of ＂writing＂ in the traditional Chinese paintings, the thinking form of ＂hint＂ in paintings in free-sketch style and the form of the painting spirit in traditional Chinese pairttings, the theoretic study of the traditional Chinese painting in free-sketch style has been conducted here to wish to distinguish the thinking form of the painting in free-sketch style. |
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| Keywords: | painting spirit Chinese paintings form of thought |
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