| 两种唱名法在高师音乐教育专业视唱练耳教学中运用的认识 |
| |
| 引用本文： | 杨奇阳.两种唱名法在高师音乐教育专业视唱练耳教学中运用的认识[J].鸡西大学学报,2006,6(5):93-94. |
| |
| 作者姓名： | 杨奇阳 |
| |
| 作者单位： | 莆田学院艺术系讲师,福建莆田351100 |
| |
| 摘 要： | 固定唱名法和首调唱名法是世界采用最为广泛的两种唱名法。在高师音乐教育专业视唱练耳教学中只有充分认识这两种唱名法，并结合音乐教育专业的特点，有机地把两种唱名法结合在一起，因材施教，才能培养造就21世纪音乐教育事业合格人才。
|
| 关 键 词： | 首调唱名法 固定唱名法 高师音乐教育 视唱练耳教学 认识 |
Function of Two Solmisations in Solfggio & Ear Training in Higher Normal Musical Education |
| |
| Yang Qiyang.Function of Two Solmisations in Solfggio & Ear Training in Higher Normal Musical Education[J].JOurnal of Jixi University:comprehensive Edition,2006,6(5):93-94. |
| |
| Authors: | Yang Qiyang |
| |
| Institution: | Yang Qiyang |
| |
| Abstract: | Regular Sol-fa and Tonic Sol-fa are the most widerly used solmisations in the world In Solfeggio & Ear training of the higher normal musical education,teachers can not cultivate qualified talents who can fit in the development of music education in the 21st century until they know these two solmisations exactly,combine the two solmisations organically accotding to the features of music education,and train the students accord with their individuality |
| |
| Keywords: | tonic Sol-fa regular Sol-fa higher normal musical educarion solfeggio & ear training education knowledge |
| 本文献已被 CNKI 维普 等数据库收录！ |
