| 《大武》乐考释 |
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| 引用本文： | 张石川. 《大武》乐考释[J]. 南京师范大学文学院学报, 2005, 0(4): 104-109 |
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| 作者姓名： | 张石川 |
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| 作者单位： | 复旦大学,中国古代文学研究中心,上海,200433 |
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| 摘 要： | 《大武》是周代重要的乐章，但古代文献对《大武》乐的记述颇多矛盾与舛误之处。本文对《大武》乐的本事及应用、作者、用乐情况、与诗之关系、舞容等作了进一步的考释，有助于后人准确地了解《大武》乐乃至上古乐舞文化。
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| 关 键 词： | 《大武》 上古乐舞文化 乐章 周代 |
| 文章编号： | 1008-9853(2005)04-104-06 |
| 收稿时间： | 2005-10-12 |
| 修稿时间： | 2005-10-12 |
Textual Criticism and Hermeneutics of Dawu |
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| Zhang Shichuan. Textual Criticism and Hermeneutics of Dawu[J]. Journal of Chinese Language and Culture School Nanjing Normal University, 2005, 0(4): 104-109 |
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| Authors: | Zhang Shichuan |
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| Affiliation: | Research Center of Ancient Chinese Literature, Fudan Univ., 200433, Shanghai |
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| Abstract: | Dawu is an important music composition of the Zhou Dynasty, but ancient literature abounds in contradictions and even errors in the recording of it. This paper makes further textual criticism and hermeneutics of Dawu in its source materials and their application, the author, the music operation, its relationship with poetry, and the appearance of the dance, which hopefully, will benefit posterity in their correcting understanding of Dawu and the primeval culture of music and dance. |
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| Keywords: | Dawu textual criticism and hermeneutics primeval culture of music and dance |
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