| 悲喜剧：由戏剧类型向审美范畴升华 |
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| 引用本文： | 任贵,李蕙芳.悲喜剧：由戏剧类型向审美范畴升华[J].内蒙古大学学报(人文社会科学版),2002,34(4):31-35. |
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| 作者姓名： | 任贵 李蕙芳 |
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| 作者单位： | 呼和浩特教育学院中文系，内蒙古呼和浩特010051 |
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| 摘 要： | 属于审美范畴的悲喜剧不是一般的有悲有喜，有愉悦有烦恼的“正剧”，其本质是以悲剧、喜剧因素的高度融合，以含泪的笑来塑造悲喜剧人物形象，已从一种戏剧类型升华为一种审美范畴。
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| 关 键 词： | 悲剧 喜剧 正剧 悲喜剧 戏剧类型 审美范畴 |
| 文章编号： | 1000-5218(2002)04-0031-05 |
| 修稿时间： | 2002年3月7日 |
The Tragicomedy as a Dramatic Genre Sublimated to an Aesthetic Category |
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| Ren Gui,Li Hui-Fang.The Tragicomedy as a Dramatic Genre Sublimated to an Aesthetic Category[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2002,34(4):31-35. |
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| Authors: | Ren Gui Li Hui-Fang |
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| Abstract: | Tragicomedy belonging to aesthetic category is not,as we know in general,a standard drama with sadness and happiness, joy and anxiety.Its nature is the tense fusion of the elements of tragedy and comedy,and the moulding of tragicomedy figures with a smile in tears.It sublimates to aesthetic category from drama type. |
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| Keywords: | tragedy jcomedy standard drama tragicomedy drama types aesthetic category |
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