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论审美现代性的双重自反性
引用本文:延永刚.论审美现代性的双重自反性[J].保定学院学报,2012,25(3):102-105.
作者姓名:延永刚
作者单位:牡丹江师范学院文学院,黑龙江牡丹江,157011
基金项目:黑龙江省哲学社会科学规划办项目“牡丹江戏剧现象研究”
摘    要:审美现代性作为现代性结构中的一个重要层面,从诞生起就扮演了一种“秩序中他者”的角色,这种角色定位使其具备鲜明的批判色彩,为了保持这种批判品格,审美现代性呈现出“双重自反性”特征:一是结构自反性,矛头指向现代性;一是自我自反性,矛头指向其自身。这两种自反性的辩证关系给人们留下许多思考的空间。

关 键 词:审美现代性  结构自反性  自我自反性  现代性  批判精神

The Research About the Double Reflexivity of Aeshetic Modernity
Yan Yonggang.The Research About the Double Reflexivity of Aeshetic Modernity[J].Journal of Baoding UNIVERSITY,2012,25(3):102-105.
Authors:Yan Yonggang
Institution:Yan Yonggang(College of Literature,Mudanjiang Normal University,Mudanjiang 157011,China)
Abstract:In the beginning,aesthetic modernity,as an important acspet of the modernity,has been playing a role called "the other of order",which makes it be critical character.In order to keep the critical character,aesthetic mordernity presents "double reflexivity"featuers:one is the structure reflexivity which resists the mordernity;the other is self reflexivity,which resists itself.At the same time,the dialectic relationship about two reflexivity leaves a lot of space for thinking.
Keywords:aesthetic modernity  structure reflexivity  self reflexivity  modernity  critical spirit
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