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女性电影的情感视角
引用本文:李毅梅.女性电影的情感视角[J].华侨大学学报(哲学社会科学版),2004(3):110-116.
作者姓名:李毅梅
作者单位:南洋理工大学,新加坡
摘    要:电影家们在创作中自觉地探讨女性意识,以鲜明的颠覆父权中心化的女性主义创作方式书写女性的生存状态与喜怒哀乐,以独特的视点和非凡的胆识在电影史上赢得重要的席位;运用女权主义的观点对女性重新定位,其化视角主要是对父权中心化的颠覆、消解与反叛;对女性主题的深刻的人化的关注;对女性的欣赏甚至膜拜;对男权化或隐或显的嘲弄与抨击。同时,运用各种细腻圆熟、精雕细刻的手法对女性喜怒哀乐的抒写,构成独特的女性化的话语诉说。女性电影美学无疑是对百年的电影艺术的一大贡献。而在女性电影繁荣下的隐藏的深刻危机,恰是强大的男权话语笼罩的危机所致。

关 键 词:女性电影  女权主义  文化视角  抒情视角  男权主义
文章编号:1006-1398(2004)03-0110-07
修稿时间:2003年9月3日

Affective Perspective of Feminine
LI Yi-mei.Affective Perspective of Feminine[J].Journal of Huaqiao University(Humanities & Social Science),2004(3):110-116.
Authors:LI Yi-mei
Abstract:Writers of scenario conscientiously inquire into feminine consciousness in their creations.They write feminine status of existence and feminine happiness,angry,grief and joy in a distinctive feminist way of creation which subverts musulinist culture;and win the important seat in history of scenario literature by unique point of sight and cutstanding courage and insight;and use feminist viewpoint to the reorientation of femininity,with subversion and dispeling and revolt against patriarchal culture as principal cultural perspective.They pay close and humanized attention to feminine topics,appreciate and even worship femininity.They mock and lash out at musculinist culture implicitly or explicitly.Furthermore,their minute and proficient careful and precise expressions of feminize happiness,angry,grief and joy have constructed unique feminized utterance and complaint.Feminine cinema aesthetics is undoubtedly a great contribution to the cinematographic art of this century.The profound crisis hiding under the prosperity of feminine cinema presentation is resulted exactly from the crisis covered by strong musculinist utterances.
Keywords:feminine cinema  feminism  cultural perspective  lyric perspective  musculinism
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