| 水墨动画《山水情》中的古典美学情结探析 |
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| 引用本文： | 宋彬彬.水墨动画《山水情》中的古典美学情结探析[J].成都教育学院学报,2008,22(5):103-104. |
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| 作者姓名： | 宋彬彬 |
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| 作者单位： | 中国传媒大学动画学院 北京100024 |
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| 摘 要： | 水墨动画《山水情》是我国动画发展史上的经典之作，它不仅运用了水墨渲染的国画形式来进行创作，其更重要的意义在于继承了我国传统的古典美学思想。它具有诗意抒情之趋向，写意韵致之品藻，淡然无极之格调，以极具东方风韵的动画风格凸显出独特的中国古典美学特征。
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| 关 键 词： | 《山水情》 诗性意境 写意韵致 淡然无极 |
| 文章编号： | 1008-9144(2008)05-0103-02 |
| 修稿时间： | 2008年4月8日 |
Researching into the Classical Aesthetics of the Chinese Brush Painting Animation Shanshuiqing |
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| SONG Bin-bin.Researching into the Classical Aesthetics of the Chinese Brush Painting Animation Shanshuiqing[J].Journal of Chendu College of Education,2008,22(5):103-104. |
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| Authors: | SONG Bin-bin |
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| Institution: | SONG Bin- bin (School of Animation, Conununication University of China, Beijing, 100024) |
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| Abstract: | The Chinese Brush Painting Animation Shanshuiqing is a quintessence in the history of Chinese animation development.It not only used washing with water colors but also inherited the thoughts of Chinese classical aesthetics.It represented tendency of poetry,savor of enjoyness and pattern of infinity,and showed the inimitable light of Chinese classical aesthetics with specific oriental style of animation. |
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| Keywords: | Shanshuiqing tendency of poetry savor of enjoyness pattern of infinity |
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