| 20世纪前半期中国电影的美学观念及特征 |
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| 引用本文： | 王宜文.20世纪前半期中国电影的美学观念及特征[J].北京师范大学学报(社会科学版),2000(6). |
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| 作者姓名： | 王宜文 |
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| 作者单位： | 北京师范大学艺术系!北京100875 |
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| 摘 要： | 20世纪前半期 ,中国民族电影取得了卓越的成就 ,在此基础上形成了中国电影的基本美学特点。我们如果沿用西方传统的电影观念无法确切地涵盖中国电影的艺术实践活动 ,因为中国电影观念实际上基本是以“意义”,也就是影片所要表达的内容为中心建立起来的。这一时期中国电影美学的特点呈现为观念的复合体 :中国传统的经世致用的实用主义艺术观、美国叙事的连续性、苏联的对立冲突原则 ,以及中国古典美学的诗意融贯一体。其中 ,经世致用的实用主义艺术观居于核心的位置 ,既关指内容 ,又统摄形式
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| 关 键 词： | 电影观念 民族特色 兼容性 |
The Views and Characteristics of Chinese Movie Aesthetics in Early Half of 20th Century |
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| WANG Yi,wen.The Views and Characteristics of Chinese Movie Aesthetics in Early Half of 20th Century[J].Journal of Beijing Normal University(Social Science Edition),2000(6). |
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| Authors: | WANG Yi wen |
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| Abstract: | The concept of Chinese movie is not built on the movie itself, but focuses on the contents and implications. Movie itself is just an appearance that is used to serve the contents. The concept of Chinese movie incorporates into diversified views: the sophisticated approach from traditional Chinese arts, the consistent drama through the story-telling in American movie, the conflict principles from the movie of Soviet Union, and the poetic atmosphere from Chinese ancient aesthetics. |
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| Keywords: | movie aesthetics national characteristics compatibili |
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