| 中国画转型之我见 |
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| 引用本文： | 王西军.中国画转型之我见[J].周口师范学院学报,2000(3). |
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| 作者姓名： | 王西军 |
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| 作者单位： | 周口师范高等专科学校美术系!河南周口466000 |
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| 摘 要： | 中国画的转型应建立在传统工笔画的基础上。工笔画作为与水墨写意画共生的绘画形式 ,曾因水墨画的盛行而一度被冷落。水墨画一脉相承的笔墨程式 ,在今天已难有新的发展契机 ,而工笔画在当今不断发展变化的动态时空中 ,表现出极强的灵活性和适应性。工笔画从材料到技法及表现风格都有较大的可拓展空间。中国画的转型只有以传统工笔画为基础才能得以实现
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| 关 键 词： | 中国画 水墨画 工笔画 转型 |
My Opinion on the Transform of Chinese Painting |
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| WANG Xi,jun.My Opinion on the Transform of Chinese Painting[J].Journal of Zhoukou Normal University,2000(3). |
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| Authors: | WANG Xi jun |
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| Abstract: | The transform of Chinese painting should be based on traditional technological painting.Technological painting coexisted with washpainting as a kind of painting form. It was once lift out in the cold because of the prevalence of washpainting. Washpainting which existed as a kind of painting form is hard to get a new development room today. However,technological painting shows great elasticity and adaptability in the developing painting field nowdays.It has much-developable room in material,craftmanship and style.so,only based on traditional technological painting can the transform of Chinese painting come true. |
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| Keywords: | Chinese Painting washpainting technological painting transform |
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