孤舟意象与渔樵文化

孤舟意象的产生，经历了一个漫长的历史积淀的过程，由功能性的工具逐渐过渡到审美性学抒情，这在先秦诗歌中已初见端倪。孤舟意象代表了一种隐逸和退居，它不仅反映出急流勇退、隐逸山林的思想，而且是孤高傲世、人格独立品质的表现。孤舟意象独创了中国化史上的“渔樵”形象，渔樵形象是历代人士子漂泊遁世的共同追求目标，它在唐宋时期得以成熟和张扬。

The Image of a Lonely Boat and Fisher woodcutter Culture

It was after a long historical process of accumulation that the image of a lonely boat came into being, which had gradually turned from a functional tool of conveyance to an aesthetic literary expression of emotion. This could be seen in poems before Qin Dynasty. The image represents a kind of seclusion form the world. It not only expresses an idea of brave retreat into forest, but also shows an independent, proud and aloof quality. Besides, it also creates the image of fisher woodcutter in the history of Chinese culture. The fisher woodcutter image was a target pursued by literati who roved and led a life of recluse in the past. It was matured and developed in Tang and Song Dynasty.