| 意足不求颜色似,前身相马九方皋--论陈与义的咏物诗 |
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| 引用本文： | 施洪波.意足不求颜色似,前身相马九方皋--论陈与义的咏物诗[J].湖州师范学院学报,2002,24(5):1-3. |
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| 作者姓名： | 施洪波 |
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| 作者单位： | 浙江广播电视高等专科学校,浙江,杭州,310015 |
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| 摘 要： | 咏物诗发展到唐代，已臻完美。宋人只能抛却陈规、另辟蹊径。陈与义的咏物诗的遗貌取神、侧面着墨的手法正是宋人所开辟的蹊径，并且非常恰当地体现了宋诗“皮毛落尽，精神独存”的特征。
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| 关 键 词： | 陈与义 咏物诗 遗貌取神 |
| 文章编号： | 1009-1734(2002)05-0001-03 |
| 修稿时间： | 2002年3月15日 |
Attaching Importance to the Likeness in Spirit Rather Than in Appearance--On Chen Yuyi's Chant Poems |
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| SHI Hong - bo Zhejiang Radio and Television College,Hangzhou ,China.Attaching Importance to the Likeness in Spirit Rather Than in Appearance--On Chen Yuyi''''s Chant Poems[J].Journal of Huzhou Teachers College,2002,24(5):1-3. |
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| Authors: | SHI Hong - bo Zhejiang Radio and Television College Hangzhou China |
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| Institution: | SHI Hong - bo Zhejiang Radio and Television College,Hangzhou 310015,China |
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| Abstract: | As the chant poem had been perfected in the Tang Dynasty, the poet in the Song Dynasty had to abandon the cliche and make a fresh start in poetry writing. This article focuses on the discussion of Chen Yuyi' s chant poems . It believes that seizing the spirit of things instead of describing the appearance is the very new technique which can exactly reflect the Song poem s characteristics. |
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| Keywords: | ChenYuyi the chant poem seizing the spirit of things instead of describing the appearance |
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