| 中国人物画艺术语言的转化与教学 |
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| 引用本文： | 谢媛. 中国人物画艺术语言的转化与教学[J]. 雁北师范学院学报, 2004, 20(3): 52-54 |
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| 作者姓名： | 谢媛 |
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| 作者单位： | 雁北师范学院美术系,山西,大同,037000 |
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| 摘 要： | 中国画的审美法则、创作方法和艺术语言自成体系,但随着东西方文化艺术的发展,相互间交流日益广泛,尤其是现代绘画,无论是中国画,还是西方绘画,都或多或少受到彼此的影响;东西方绘画艺术语言的相互借鉴与融合,正在成为一种必然。中国画艺术语言转化的问题,在美术教学中也应得到重视。
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| 关 键 词： | 中国人物画教学 艺术语言 借鉴与融合 |
| 文章编号： | 1009-1939(2004)03-1152-03 |
| 修稿时间： | 2004-02-27 |
The Teaching and Reference of Art Language in Chinese Figure Panitings |
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| XIE Yuan. The Teaching and Reference of Art Language in Chinese Figure Panitings[J]. Journal of Yanbei Teachers College, 2004, 20(3): 52-54 |
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| Authors: | XIE Yuan |
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| Abstract: | The Chinese Painting has formed a system of appreciation principle,crea tion method and an language of its own.However with the development of both eastern and western culture and art,each has more or less influenced and melted be-tween the eastern and western painting .The transition of Chinese Art Lan guage has been attached more and more emphsis by many painting professionals and has beco me widely accepted as common pursuit. |
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| Keywords: | the teaching of Chinese painting art language reference and melting |
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