| 论林语堂作品中的自我东方主义 |
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| 引用本文： | 胡春晓.论林语堂作品中的自我东方主义[J].宁波教育学院学报,2012(6):43-46. |
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| 作者姓名： | 胡春晓 |
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| 作者单位： | 浙江工商大学 |
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| 基金项目： | 浙江工商大学2012年度科研项目的部分研究成果,课题编号:1180KU112015 |
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| 摘 要： | 国学大师林语堂创作生涯的大部分时间都行走在东西文化之间,他用英语创作的一系列作品一直被西方人视为阐述中国文化的权威著作。然而,双重文化身份和东西方话语权的不平衡使他的作品中存在着挥之不去的自我东方主义,从迎合西方读者的期待出发来展现的中国文化注定不再是地道的中国文化,而是按照西方的想象所进行的对于中国文化的再造性创造。
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| 关 键 词： | 林语堂 自我东方主义 双重文化身份 话语霸权 |
The Self-orientalism in the Works of Lin Yutang |
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| HU Chun-xiao.The Self-orientalism in the Works of Lin Yutang[J].Journal of Ningbo Institute of Education,2012(6):43-46. |
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| Authors: | HU Chun-xiao |
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| Institution: | HU Chun-xiao(Zhejiang Gongshang University,Hangzhou 310035,China) |
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| Abstract: | Shepherd Records is one of important plays in the Southern Song and Yuan Dynasty. The story of Shepherd is from official history, with the author＇s creation in respectives of plot development, characters shaping and narrative ways. The paper analyses the contrasts between the play and the history, unique narrative style, classic episodes which have the same theme effect. Following the logic chain of Chinese ancient history, Chinese ancient Drama to Chinese ancient historical drama, the author studies the evolution of Shepherd Records, positioning it accurately in artistic creation and concludes the princi- ples of ancient historical works. |
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| Keywords: | Southern drama Shepherd Records Su Wu Li Ling historical drama |
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