| 从《雷雨》到《满城尽带黄金甲》——兼析话剧与电影的文体特质 |
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| 引用本文： | 高卫红. 从《雷雨》到《满城尽带黄金甲》——兼析话剧与电影的文体特质[J]. 内江师范学院学报, 2010, 25(1): 75-78 |
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| 作者姓名： | 高卫红 |
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| 作者单位： | 内江师范学院文学与新闻传播学院,四川,内江641000 |
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| 摘 要： | 文体被看成是为某种特别的审美目的服务的完整符号体系或者符号结构。改编自曹禺话剧《雷雨》的张艺谋电影《满城尽带黄金甲》为世人所瞩目,从文体学的角度比较分析《雷雨》和《满城尽带黄金甲》在表达结构、人物性格、主题蕴意等文体特点,更能直观地解读电影改编中借鉴与创新的辩证关系。
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| 关 键 词： | 《雷雨》 《满城尽带黄金甲》 话剧 电影 文体学 |
From Thunderstorm to Curse of the Golden Flower: An Analysis of the Styles of Drama and Film |
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| GAO Wei-hong. From Thunderstorm to Curse of the Golden Flower: An Analysis of the Styles of Drama and Film[J]. Journal of Neijiang Teachers College, 2010, 25(1): 75-78 |
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| Authors: | GAO Wei-hong |
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| Affiliation: | School of Literature and Journalism/a>;Neijiang Normal University/a>;Neijiang/a>;Sichuan/a>;641112/a>;China |
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| Abstract: | The style has been considered as an integrated system of symbols or symbolic structure.The adapted film Curse of Golden Flower from CAO Yu's drama Thunderstorm has attracted people's much attention.The comparison and analysis from the perspective of styles between the two works in expressive structure,characters and subject implication can help us understand the dialectical relations between reference and innovation in the film adaptation. |
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| Keywords: | Thunderstorm Curse of the Golden Flowers drama film stylistics |
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